Films.

Turner’s films explore how meaning is installed, tested and enforced under pressure. Working primarily with young people, his work examines power, consent, belief and performance within everyday systems - schools, friendships, institutions and digital spaces. Across shorts, features and interactive work, his films focus on moments where ordinary situations become ethically charged, and where cultural rules reveal themselves through behaviour.

Unflinching. Unapologetic. Undeniable.

Across these works, Turner’s films function as case studies in how meaning collapses, stabilises, and is enforced within everyday systems.

THE NUDES (2024) - Short
A psychological horror-comedy in which digital sexual harassment manifests physically. A young woman in the middle of an intimate exchange with her boyfriend if targeted by men online, sending her nudes. The Nudes reverses the gaze to expose entitlement, anonymity and digital violence. The film uses discomfort and dark humour to explore consent, power and the body as a site of meaning.
Award-Winning film & BAFTA-qualifying festival selection.

JURY | THE BAILEYS (2026) - Interactive Narrative Film
An interactive drama that places the audience inside the logic of judgement itself within a fractured family’s custody battle. As viewers vote on who the youngest son should live with, the film reveals how meaning is shaped by the conflict between love and stability. JURY explores how moral certainty is demanded within collective systems, often detached from reality.
Supported by The Space. Available Online April 2026.

HELP! I THINK MY TEACHER IS RACIST (2024) - Short
A semi-autobiographical drama set in a school with two teachers - one Black, one White - taking different approaches with a group of Black students, where a strip search becomes the centre of a moral and institutional pressure cooker. The film examines how racism operates through procedure, politeness and process, and how systems protect themselves under scrutiny.
Award-Winning film & BAFTA-qualifying festival selection.

GET BACK SEASON (2026) - Feature Film
A tapestry of a school ecosystem under strain, following an ensemble of students as humiliation, loyalty, desire and violence ripple across intersecting lives. As private moments become public and power shifts, the film traces how trauma is passed on, disguised as discipline, humour or protection. Rather than centring a single protagonist or moral viewpoint, Get Back Season exposes how systems fail quietly with explosive consequences, and how young people either adapt to survive or collapse.

Dead Fun (2024) – Short
Winner: Best Director (Unrestricted View Film Festival, BIFA-qualifying)

In Development

  • FAIR - Feature Film
    A psychological pressure-cooker examining how coercive behaviour is normalised through games, banter and consent.

  • The Spit Game - Feature Film
    A surreal exploration of fame, exploitation and algorithmic feedback within a rap collective.

  • YUTE - Short-form Series
    A comedy series filmed from the perspective of young people in a youth centre, using chaos, humour and handheld immediacy to explore identity, power and belonging from the inside out.

  • Rap Club: The Musical - Stage Musical
    A semi-autobiographical musical exploring youth creativity, mentorship and power through the formation of Turner’s original school Rap Club.

Across his work, Turner is drawn to enclosed environments, social games and moments of escalation. He often uses humour as a gateway into discomfort, allowing banter and intimacy to curdle into coercion, exposure or control.